Figure
Paper
- Hahnemüle Photorag - 308gsm premium fine art paper
- Uncoated matte finish
- Minimal texture with a chalky smooth cotton feel
- From sustainable forestry
- Vibrant display of colors
Giclee printing
- Archival quality
- Premium ink & paper
- Vibrant colors
- Longevity - Archival life 80 years
Artist’s Description of the original artwork
Title: Figure
Oil on canvas / Size 100cm×80cm / Year 2005
Practice painting leading up to the Three Figure series. I was working on a Neoexpressionist style and this painting was basing a lot on living near this plastic surgery clinic and how people were redesigning their bodies. Every day I was seeing these people coming out covered in bandages. I was fascinated by how people were reshaping themselves physically and as well China as a country. It was more like an academic prep scene, stylish piece. I was collecting anime books at the time because I was fascinated by comic art and Chinese people was just beginning to learn about comic art. They were learning it from Korea and Japan on the whole so in the book shops there used to be a lot of these ‘how to draw books’ and I found it quite inspiring. The proportions and shapes of the figures that were used to teach people to draw were great, after decades of Russian classicism. This was one of the earliest paintings I did in my studio at 696 Weihai Road. I do not know the whereabouts of this painting today.
Paper
- Hahnemüle Photorag - 308gsm premium fine art paper
- Uncoated matte finish
- Minimal texture with a chalky smooth cotton feel
- From sustainable forestry
- Vibrant display of colors
Giclee printing
- Archival quality
- Premium ink & paper
- Vibrant colors
- Longevity - Archival life 80 years
Artist’s Description of the original artwork
Title: Figure
Oil on canvas / Size 100cm×80cm / Year 2005
Practice painting leading up to the Three Figure series. I was working on a Neoexpressionist style and this painting was basing a lot on living near this plastic surgery clinic and how people were redesigning their bodies. Every day I was seeing these people coming out covered in bandages. I was fascinated by how people were reshaping themselves physically and as well China as a country. It was more like an academic prep scene, stylish piece. I was collecting anime books at the time because I was fascinated by comic art and Chinese people was just beginning to learn about comic art. They were learning it from Korea and Japan on the whole so in the book shops there used to be a lot of these ‘how to draw books’ and I found it quite inspiring. The proportions and shapes of the figures that were used to teach people to draw were great, after decades of Russian classicism. This was one of the earliest paintings I did in my studio at 696 Weihai Road. I do not know the whereabouts of this painting today.
Paper
- Hahnemüle Photorag - 308gsm premium fine art paper
- Uncoated matte finish
- Minimal texture with a chalky smooth cotton feel
- From sustainable forestry
- Vibrant display of colors
Giclee printing
- Archival quality
- Premium ink & paper
- Vibrant colors
- Longevity - Archival life 80 years
Artist’s Description of the original artwork
Title: Figure
Oil on canvas / Size 100cm×80cm / Year 2005
Practice painting leading up to the Three Figure series. I was working on a Neoexpressionist style and this painting was basing a lot on living near this plastic surgery clinic and how people were redesigning their bodies. Every day I was seeing these people coming out covered in bandages. I was fascinated by how people were reshaping themselves physically and as well China as a country. It was more like an academic prep scene, stylish piece. I was collecting anime books at the time because I was fascinated by comic art and Chinese people was just beginning to learn about comic art. They were learning it from Korea and Japan on the whole so in the book shops there used to be a lot of these ‘how to draw books’ and I found it quite inspiring. The proportions and shapes of the figures that were used to teach people to draw were great, after decades of Russian classicism. This was one of the earliest paintings I did in my studio at 696 Weihai Road. I do not know the whereabouts of this painting today.
The size options indicate the final size of the art print including the white border. In order to preserve the best quality possible, the border on art prints will vary depending on the original artwork's dimensions and the chosen print size. For this artwork the printed areas are:
Size 400 x 500mm / printed area 380mm × 483mm
Size 300 x 400mm / printed area 290mm × 369mm
Size 280 x 350mm / printed area 271mm × 344mm